Inflammatus Et Accensus. Duet (Soprano, Mezzo-soprano). Allegro (Ma Non Troppo) - G. B. Pergolesi* -
Sacrificium Deo Benigne fac Antonio Lotti: Crucifixus 8vv Giovanni Battista Pergolesi. Martin in the Fields, David Willcocks - conductor , Antonio Lotti.
Crucifixus Choir of St. Antonio Caldara. Pergolesi — Musica Sacra. Martin-in-the-Fields, Philip Ledger - conductor. Introitus 2. Kyrie 3. Graduale 4. Offertorium 5. Sanctus 6. Agnus Dei 7. Post Communio 8. Jean Gilles. Michel Corrette. Gilles — Messe des Morts Herreweghe. The Heav'ns shall praise thy wond'rous works, and thy truth in the congregation of the saints. Tenor 3 For who is he among the clouds that shall be… …compared unto the Lord? And what is he among the Gods that shall be like unto the Lord?
O Lord, God of hosts, who is like unto thee? Thy truth, most mighty Lord, is on ev'ry side. Chorus 6 Righteousness and equity are the habitation of thy seat;… …mercy and truth shall go before thy face.
Soprano 7 Blessed is the people, O Lord, that can rejoice in thee;… …they shall walk in the light of thy countenance. Chorus 8 Thou art the glory of their strength. Let us come before his presence with thanksgiving, and show ourselves glad in him with psalms. For the Lord is a great God, and a great King above all Gods.
Tenor 11 O come, let us worship and fall down,… …and kneel before the Lord our Maker; for he is the Lord our God, and we are the people of his pasture, and the sheep of his hand. Chorus 12 Glory and worship are before him,… …power and honour are in his sanctuary.
Soprano 14 O magnify the Lord, and worship him upon his holy hill,… …for the Lord our God is holy. Alto 15 The Lord preserveth the souls of the saints,… …he shall deliver them from the hand of the ungodly. Tenor 16 For look as high as the heaven is in comparison of the earth,… …so great is his mercy towards them that fear him. Chorus 17 There is sprung up a light for the righteous,… …and joyful gladness for such as are true-hearted.
Rejoice in the Lord, ye righteous! Chandos Anthem No. Let all the servants of the Lord, his worthy praise proclaim! Alto 19 Praise him, all ye that in his house attend with constant care, with those that to his utmost courts with humble zeal repair.
Tenor 20 For this our truest int'rest is glad hymns of praise to sing, and with loud songs to bless his name, a most delightful thing. Bass 21 That God is great we often have by glad experience found; and seen how he with wondrous power above all Gods is crowned.
Chorus 22 With cheerful notes let all the earth to heaven their voices raise! Let all, inspired with godly mirth, sing solemn hymns with praise. Soprano 23 God's tender mercy knows no bounds, his truth shall ne'er decay.
Then let the willing nations round their greatful tribute pay. Chorus 24 Ye boundless realms of joy exalt your Maker's fame; his praise your song employ above the starry frame. Chorus 25 Your voices raise, ye Cherubim and Seraphim, to sing his praise! George Frideric Handel. Handel — Chandos Anthems Vol. Georg Philipp Telemann. Cantata No. Dietrich Buxtehude. Stevens : New Oysters 3 Richard Dering ed.
Stevens : A Bellman's song 5 Anon. Purcell : Country Cries 9 Anon. Stevens : A Quart a Penny 10 Anon. British, arr. Alfred Deller, The Deller Consort. Alfred Deller — Folk Songs and Ballads. Cantate Bella quanto crudel spietata Irene for alto and continuo manus.
Cantate Ombre tacite e sole for alto, 2 violins, viola and continuo manus. Griselda: Atto primo, Scena 1. Recitativo "Come! Tu nella reggia" Gualtiero, Griselda , La.
Griselda: Atto primo, Scena Recitativo "Everardo, o soave" Griselda, Ottone , La. Recitativo "Son le regie tue stanze" Corrado, Costanza , La. Recitativo "Pria che d'amarti io lasci" Costanza, Roberto , La. Recitativo e aria "Chi vide mai destino eguale al mio" Roberto , La. Griselda: Atto primo, Scena 2. Griselda: Atto primo, Scena 3. Aria "Non sospira l'amor d'un regnante" Gualtiero , La. Griselda: Atto primo, Scena 4. Griselda: Atto primo, Scena 5. Aria "Bel labbro, ancor non sai" Costanza , La.
Aria "Come presto nel porto crudele" Roberto , La. Griselda: Atto primo, Scena 8. Recitativo "L'arcano in te racchiudi" Gualtiero, Corrado , La. Griselda: Atto primo, Scena 9. Aria "Non vi vorrei conoscere" Roberto , La.
Recitativo "Roberto, i nostri venti" Corrado, Roberto , La. Griselda: Atto secondo, Scena Duetto "Non sei quella; eppure il core" Griselda, Costanza , La.
Recitativo "Sola, se ben tu parti" Costanza, Griselda , La. Aria "Vorresti col tuo pianto" Gualtiero , La. Griselda: Atto secondo, Scena 2. Griselda: Atto secondo, Scena 3. Recitativo "Ho in petto una sol' alma" Griselda, Corrado , La. Griselda: Atto secondo, Scena 4. Aria "Griselda Figlio! O Dio! Recitativo "Figlio, dove t'ascondo" Griselda, Ottone , La. Griselda: Atto secondo, Scena 5. Griselda: Atto secondo, Scena 6. Recitativo "Ami forse Gualtiero?
Griselda: Atto secondo, Scena 7. Recitativo "Dove, o Roberto? Griselda: Atto terzo, Scena 6. Recitativo "Griselda; al sol cadente" Gualtiero, Griselda , La.
Recitativo "Terminate, o ministri" Tutti , La. Aria "Come va l'ape di fiore in fiore" Roberto , La. Infirmata vulnerata motet for solo voice, two violins and continuo : Cur, quaeso, crudelis. Infirmata vulnerata motet for solo voice, two violins and continuo : Infirmata vulnerata. Infirmata vulnerata motet for solo voice, two violins and continuo : O cara, o dulcis amor.
Infirmata vulnerata motet for solo voice, two violins and continuo : Semper gratus. Infirmata vulnerata motet for solo voice, two violins and continuo : Vicisti, amor. Infirmata vulnerata motet for solo voice, two violins and continuo : Vulnera percute. Eurilla, Leonzio. Mitridate Eupatore: Recitativo "O vane speme!
Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra. Namespace Voce Discussione. Fritz Kreisler. Since then, it has been arranged for a variety of instrumentations and ensembles. Il jouait sur un violon de Jean-Baptiste Vuillaume. In Baden Baden 3rd August To the kisses of the dawn! Let your voice speak again! Pour out to me the drunkeness! Pour out to me the drunkeness. Allegro moderato.
This lied is one of my all time favorites of Schubert. It was composed in during the final months of his life. The lied is multi-sectional with the clarinet and voice soprano equally challenged, it fits as a work of chamber music as it does as lied.
The first section is warm as the lonely shepherd, high on the mountain top, listens to the echoes rising from below. The second section becomes quite dark as the shepherd expresses his all encompassing grief and loneliness. The third and last section is a sign of hope as the shepherd anticipates the coming of Spring and with it rebirth. Among the few highlights of his career was a concert at the Vienna Musikverein in March Only 1 left in stock - order soon.
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See all formats and editions Hide other formats and editions Price. Audio CD, August 5, "Please retry". Track Listings Disc: 1. Danses Chantees: Segoviane.Une soirée surprenante dédiée à la Protectrice de la France, et où la grâce vint de la pièce et de l'artiste d'où on l'attendait moins: un Salve Regina classicisant de Leo, avec une soprano peu connue de nos autres baroqueux. Mais commençons donc au commencement, c'est-à-dire le coussinet.